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The Office - Season 3
Lost - the Complete Third Season
Fill your Inbox with hilarious moments from The Office Season Three in
this four-disc collection that's crammed with extensive bonus features
and all 22 episodes of the 2006 Primetime Emmy Award winner for
Outstanding Comedy Series! Steve Carell is back in his Golden
Globe-winning role as earnest but clueless boss Michael Scott, who can't
help but contribute his own irreverent commentary to the daily
happenings at the Scranton branch of the Dunder Mifflin paper company.
As the staff deals with potential office closures, mergers, romances, and
advancement, Michael's always there to say all the wrong things at all the
right times. Including five supersized episodes and over three hours of
deleted scenes, The Office Season Three is packed with classic
moments from the show that TIME magazine praises for "satirizing the
culture of coffee, cubicles and Chili's with heart and laser precision."
When it aired in 2006-07, Lost's third season was split into two, with a
hefty break in between. This did nothing to help the already weirdly
disparate direction the show was taking (Kate and Sawyer in zoo cages!
Locke eating goop in a mud hut!), but when it finally righted its course
halfway through--in particular that whopper of a finale--the drama series
had left its irked fan base thrilled once again. This doesn't mean,
however, that you should skip through the first half of the season to get
there, because quite a few questions find answers: what the Others are
up to, the impact of turning that fail-safe key, the identity of the
eye-patched man from the hatch's video monitor. One of the series'
biggest curiosities from the past--how Locke ended up in that wheelchair
in the first place--also gets its satisfying due. (The episode, "The Man
from Tallahassee," likely was a big contributor to Terry O'Quinn's
surprising--but long-deserved--Emmy win that year.)

Unfortunately, you do have to sit through a lot of aforementioned
nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate
(Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others;
Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on
a mission to rescue them; and Locke, Mr. Eko (Adewale
Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of
the electromagnetic pulse that blew up the hatch. Spinning the storylines
away from base camp alone wouldn't have felt so disjointed were it not for
the new characters simultaneously being introduced. First there's Juliet, a
mysterious member of the Others whose loyalty constantly comes into
question as the season goes on. Played delicately by Elizabeth Mitchell
(Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another
turn a sympathetic friend; possibly both at once, possibly neither at all.
(She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love
triangle, which plays out more definitively this season.) On the other hand,
there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo
Santoro), a tagalong couple who were cleverly woven into the previous
seasons' key moments but came to bear the brunt of fans' ire toward the
show (Sawyer humorously echoed the sentiments by remarking, "Who
the hell are you?"). By the end of the season, at least two major
characters die, another is told he/she will die within months, major new
threats are unveiled, and--as mentioned before--the two-part season
finale restores your faith in the series.
Heroes - Season One
24 - Season Six
Arguably the most talked-about television show of the 2006-2007 season,
the Emmy-nominated fantasy Heroes gives viewers blends comic
book-style adventure with plotting and characters as rich and layered as
any graphic novel or drama series. Creator Tim Kring's premise is
deceptively simple - ordinary individuals in locations around the globe
discover that they have, for lack of a better term, super powers, and
wrestle with this reality while facing challenges both global (the
destruction of New York City, for one) and personal (indestructible
cheerleader Hayden Panetierre has family issues - serious ones, as the
true identity of her adoptive father reveals; Milo Ventimiglia's Peter Petrelli,
who absorbs other powers, must overcome his own insecurities). Add to
this mix a terrific villain - Zachary Quinto's Sylar, who hunts and kills
people with extraordinary powers like our heroes - and viewers have a
riveting series that exhibits an almost-perfect balance of cliffhanger thrills
(the action and special effects are truly impressive for a network program)
and genuine drama that sets the show apart from most speculative fiction
(save, perhaps, the revived Battlestar Galactica, which it compares too
favorably). The seven-disc set of Heroes: Season One offers a wealth of
extras for fans, who may be familiar with some of them through the
NBC.com website, especially the cast commentaries, which are featured
on half of the episodes. Kring is featured on the 73-minute uncut pilot
episode, which for some viewers, may be even better than the network
version; the main difference is the degree of character development,
including an entire storyline for D.L. Hawkins that isn't featured in the
broadcast version. Also on deck are some 50 deleted scenes from the
episodes, several by-the-books making-of featurettes, including coverage
of the special effects and stunt work, and a profile of artist Tim Sale,
whose illustrations are used for Isaac Mendez's prophetic artwork.
Prospective buyers should note that while all of these supplemental
features are included on the HD-DVD version of this set, the special
Web-connectivity elements are not available here. -- Paul Gaita
Creating and executing a TV series in which each season takes place in
the course of just one day, with each episode occupying a single hour, is
no mean feat, but the makers of 24 have pulled it off admirably. And while
many of the show's longtime adherents seem to agree that this sixth
season (with 24 episodes offered on six DVDs, plus a seventh disc
loaded with bonus features) is perhaps its weakest, relative newcomers,
freed from the expectations generated by the five that preceded it, will find
it to be riveting entertainment. This is a show that hits the ground running
and then proceeds to relentlessly ratchet up the tension, balancing its
disparate elements--terrorism and espionage, political intrigue and
treachery, personal drama--with remarkable aplomb. Indeed, the first
episode is barely underway before we're told that a plague of terrorist
bombings is sweeping the United States, killing many hundreds and
leaving the nation in disarray. President Wayne Palmer (DB Woodside), in
office for just three months following the assassination of his brother,
agonizes over the proper course of action while some of his advisers
counsel restraint and others urge him to adopt measures that will
radically restrict Americans' (especially those of Muslim descent) civil
liberties. Meanwhile, Jack Bauer (star and executive producer Kiefer
Sutherland) has been released after two years in a Chinese prison, but
only so he can be handed over to Abu Fayed (Adoni Maropis), a
particularly nasty villain who proposes to trade Jack's life for the location
of Hamri Al-Assad (Alexander Siddig), who's suspected of being the
mastermind behind the current reign of terror. That's only the beginning,
of course. Soon Jack (who, despite being severely tortured during his
imprisonment, is still cool enough to coordinate a manhunt while
simultaneously disarming a bomb set to detonate in two minutes) and
his counter-terrorism cronies are dealing with the specter of a nuclear
holocaust on American soil, more political assassination, Jack's feckless
family, and a good deal more. And that's only in the first twelve hours! It
doesn't all work--especially in the second half. Some of the characters
are less than convincing (Jack's brother Graem, portrayed by Paul
McCrane, is weak in every respect; in fact, the entire family sideshow is
fairly ridiculous), while the casting is sometimes off the mark (Woodside
does his best, but he lacks the gravitas needed in a plausible Chief
Executive) and the story contains multiple plot points that will challenge
even those willing to totally suspend their disbelief. By and large, though,
24 more than lives up to its own hype as the tube's most addictive
program. Bonus material includes commentary on selected episodes,
deleted scenes, a preview of Season 7, several featurettes, and a whole
lot more. --Sam Graham
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